DE'HUMANISER POLYMATH HUMAN
IMAGE BACKGROUND CREATED WITH AI GENERATOR:
image source : auto-portrait
style image : Painting "Il Trionfo del nome di Gesu" of IL BACICCIA
CARLOTTA DEL PALAZZO LIVES IN PARIS, BORN IN ABRUZZO, ITALY IN 1993.​
AUTODIDACT DE'HUMANISER PAINTER, SCULPTOR OF TRASH MOVING BETWEEN THE ABSTRACT AND THE FIGURATIVE.
THE NAME "ORTSOMLI" BACK TO FRONT MEANS "IL MOSTRO", "THE MONSTER", "MONSTRUM" WHICH DEFINES THE SUBJECTS REPRESENTED: HUMANS DISFIGURED AND RECONSTRUCTED WITHIN NATURAL AND ARTIFICIAL ARCHITECTURES, IT ONLY REQUIRES IMAGINATION OF ABSTRACTION TO SEE THEM.
I ADORE WATCHING YOU LOOKING FOR THEM, YOU ALL WILL FIND ONE AT SOME POINT.
MONSTRUM MEANS DANGEROUS AND WONDERFUL THING: IT EXPRESSES THIS CONTRADICTORY BINOMIAL, A PARADIGMATIC DICHOTOMY OF TODAY'S MEN: SHOCKING AND BRUTAL, BUT ALWAYS DEPICTED BY A GORGEOUS BIOLOGICAL NATURE; HIDING MONSTERS INTO COLORS, SEARCHING UTOPIA FROM DYSTOPIA; LIGHTNESS FROM DARKNESS.
THE WORK AIM TO SHAPE THE CONCEPT OF UNIQUENESS, OBSCENITY AND BLOOM WE ALL EMBODY; THESE PRINCIPLES MERGE TO CREATE A NEW,REGENERATED, TRANSFIGURED SPECIE.
PAINTING THROUGH INTUITION: IT IS THE INSTINCT OF CREATION AND THE SEARCH OF IDYLLIC, UTOPIA, LOVE, POWER, VIOLENCE, HUMANS, COMPOSITION AND NATURE.
AN ORDERED INSTINCT.
UTOPIA IS THE GREATEST COMPANION: TRANSFORMING THE REAL WORLD INTO IDEAL IMAGES.
IT IS METAPHOR OF TODAY'S SOCIETY: SPASMODIC, ABSTRACT, FALLING AWAY, RAPID, FICTIONAL, DEPRAVED, HEADED FOR ANNIHILATION.
THE TECHNIQUE IS PASTEL PAINTING, OIL PAINTING, VYNIL PAINTING, MIXED MEDIA AND DIGITAL PAINTING.
THE SUPPORTS ARE TRASH, FACTORIES DEBRIS SUCH AS WOOD, PLASTIC OR METAL BECAUSE THOSE ARE THE FINEST MATERIALS TO GLIDE HANDS-BRUSHES ON.
THE SCULPTURES ARE OF THE SAME KIND OF RECYCLED MATERIALS FOUND ANYWHERE TO HOME WASTE SUCH AS PLASTIC AND PAPER.
AI IS USED TO COMBINE THE WORK AND SELF-PORTRAITS WITH, IMAGES AND MASTERPIECES BY THE DEAR MASTERS TO CREATE DIGITAL WORK OF ART. THE FINAL PIECE IS THE FUSION REPRESENTATION OF THE PRESENT WITH THE PAST.
HUMANS ARE MY SUBJECT AND NATURE IS MY MASTER.
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CE QUE JE VOULAIS DIRE EN RÈALITÉ, C'EST QU'ÊTRE UN MONSTRE CE N'EST PAS SI TERRIBLE. DE LA RACINE LATINE monstrum, MESSAGER DIVIN DES CATASTROPHES, QUI A ÉVOLUÈ EN ANCIEN FRANÇAIS POUR DÉSIGNER UN ANIMAL AUX INNOMBRABLES ORIGINES: CENTAURE, GRIFFON, SATYRE. ÊTRE UN MONSTRE, C'EST ÊTRE UN SIGNAL HYBRIDE, UN PHARE: À LA FOIS REFUGE ET AVERTISSEMENT.
WHAT I REALLY MEANT TO SAY IS THAT BEING A MONSTER ISN'T SO TERRIBLE. FROM THE LATIN ROOT monstrum, A DIVINE MESSENGER OF CATASTROPHES, WHICH EVOLVED IN OLD FRENCH TO DESIGNATE AN ANIMAL OF COUNTLESS ORIGINS: CENTAUR, GRIFFIN, SATYR. BEING A MONSTER MEANS BEING A HYBRID SIGNAL, A BEACON: BOTH A REFUGE AND A WARNING.
IMAGE BACKGROUND CREATED WITH AI GENERATOR:
image source : Ortsomli original painting IROIF
style image : Detail of La Cappella Sistina, Michelangelo